Songs from the 90s You Missed: High Notes Edition

Top Voice Hits of the 1990s

Lisa Fischer’s song “How Can I Ease the Pain” hits a high, clear Bb5 note. Her breath control puts her at the top. Many singers now look up to her. 호치민퍼블릭가라오케

Songs You Never Heard

David Peaston’s wide voice was not well known. On stage, he made high and low notes sound easy. People loved to hear him sing.

Great Women Singers

Tanya Blount’s “Through the Rain” goes all over five octaves. More people should know her. Just like her, Maya Rudolph in “Universe” uses her voice to show both skill and feeling.

Being the Best at Singing

Things these songs show:

• Not faltering while holding notes
• Smooth voice ups and downs
• Strong loud notes
• Right on target notes
• Wide voice range

These hits show the best of singing in the 90s. They even beat many well-known songs of that time.

Singers Not Seen Much

Strong, Hidden Voices from the 1990s

Top of the Voice Game

The 90s had many amazing singers who sang really well but didn’t get much spotlight.

Tanya Blount wowed with a huge range from gospel songs, like in her 1994 “Through the Rain.”

Jeff Scott Soto brought big opera power to rock music, showing off a big voice with less known bands like Eyes.

Great Skills Not Seen Much

Paula Cole did more than her one big hit. In songs like “Feelin’ Love,” her amazing voice work stands out.

David Peaston’s strong voice compares with big stars. His songs like “Can I?” make you hear it.

Karyn White’s “Superwoman” shows her pure voice control and how she can move people, better than many singers now. Karaoke Etiquette: Do’s and Don’ts

Singing Skills and Art

These great voices showed top singing, doing things like:

• Long, complex runs
• Strong long high notes
• Big vocal range
• Perfect note hitting
• Deep feeling

They were great at their voice work but didn’t get the fame they should have in music’s big scene.

Not Just Radio Hits

More Than Radio Hits: Finding Hidden Music

In their albums, artists did some big musical things that weren’t in their singles. While hits got them known, other songs showed deep art skills and top voice work.

Fancy music work and new ways to make songs stand out in songs like Gin Blossoms’ “Until I Fall Away” and The Cranberries’ “Twenty One.”

These songs push how music can be by doing things like smart chord changes and layered sounds, choosing art over just making hits.

Music That Went Beyond

Less known songs show smart song writing that was way ahead of others.

The rich sounds and deep musical works make these songs a treat for those who really listen, showing each band’s art and voice power beyond popular songs.

Big Voices of the 90s

Amazing 90s Voice Powerhouses

Songs That Redid What We Know

The 1990s had some voice shows that changed how we see human voice power.

These amazing voices remade what great singing and art mean.

Voices and Their Mark

Maya Rudolph, after her mother Minnie Riperton, showed a big five-octave range with Prince in their 1997 song “Universe.”

She took an amazing family voice gift and made it her own.

New Ways to Sing

Rachelle Ferrell’s 1992 song “Nothing Has Ever Felt Like This” changed jazz voice work with tough song parts and big high notes.

Meanwhile, Jeff Buckley’s take on “Corpus Christi Carol” made new ground in male high voice work, changing how men and women sing.

Pioneers in Voice Work

Lisa Fischer’s “How Can I Ease The Pain” is a lesson in voice control and range.

Her smooth switch between voice parts and solid sound work led the way for many R&B singers.

This top skill set new rules for how we make music today, focusing on control, sound feel, and real feeling in songs. How to Set Up a Karaoke

New Voice Skills and Their Mark

These strings of notes and skills were more than just show, they brought in new ways to:

• Control voices
• Switch between voice parts
• Change tones
• Show true feelings
• Work with voice feel

Songs We Forgot

90s Music Lost Gems

Great Unknown Works

Under the big hits and TV play, the 1990s had big musical finds that weren’t big names.

Frente!’s acoustic take on New Order’s “Bizarre Love Triangle” pulled out the fake sounds to show deep voice work and soft guitar play.

Smart Music Work

Catherine Wheel’s “Black Metallic” built up well, where Rob Dickinson’s unique voice cut through the thick distorted guitar sounds.

Just like that, The Sundays’ “Here’s Where the Story Ends” showed top making, with Harriet Wheeler’s clear high voice moving through smart guitar work, making a new deep sound feel.

Pushing Music Borders

Jeff Buckley’s “Dream Brother” tried new voice ways, with his wide voice range and Middle East tunes setting new sound lands.

The Wild Swans’ “Melting Blue Delicious” met high make standards and light harmonies that stood up to known dream pop bands. These less known songs were top in smart music ways and new art ways that went past just making hits but didn’t get big.

Voices We Missed

1990s Voice Giants We Forgot

Top Range: Oleta Adams

Oleta Adams had one of the best voices of the 90s, controlling a four-octave range in her big song “Get Here.”

Her voice match giants like Whitney Houston, especially in her deep voice parts where she sounds warm and deep. She set a high mark in music.

High Skills: David Peaston

David Peaston’s strong voice was best in “Can I?” showing his big high voice range.

His kind of easy voice runs and clear word saying made him stand out. His controlled shake in his voice, clear in song links, showed a high voice skill that’s hard to reach now.

Starting New: Diane Charlemagne

Diane Charlemagne changed voice work in dance music with Urban Cookie Collective, in songs like “The Key, The Secret.” Her big soul-dance mix showed great note control on hard dance beats.

Her smooth move between high voice and deep voice made a plan that led many dance music voices, making new rules for dance song voices.

High Notes to Find Again

Big High Notes to Hear Again: Top 90s Voice Moments

Top Voice Works in Pop

The 90s had some big voice moments that show the best in voice skill.

Mariah Carey, after Minnie Riperton, hit a stunning F#5 in “Anytime You Need a Friend,” moving smoothly into her high small voice with perfect skill.

Best in Voice Work

Lisa Fischer’s big moment in “How Can I Ease the Pain” shows top voice skill, especially in the big Bb5 note that needs strong breath work and control.

This song is a lesson in top voice making and clean sound.

Big Voice Range and New Ways

Celine Dion’s take on “The Power of Love” has a big G5 in the middle, showing her top mix of chest and head voice.

This shows the best in voice performance in music now.

Big Live Moments

Whitney Houston’s 1994 show took her known song “I Will Always Love You” up a note, making a strong F#5.

This live show made that song moment even better than before, pushing voice work in pop music.

These key voice moments still teach new singers and mark high points in voice work now.

Power, control, and art in these songs keep pushing new singers to try new things.